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Category Archives: conservation architectural photography

photography of Architectural conservation

Architectural photography of Mount Melleray Abbey


DHB Architects Ireland

Short-listed for an award in the ‘New and Old’ Category

at the (click here for WAF link) World Architecture Festival

in Barcelona from the  (2nd-4th November 2011 )

Mount Melleray Abbey, Cappoquin, County Waterford, is a functioning Cistercian monastery in a magnificent natural setting. Concerning the new Monk’s residential wing, architects DHB said the complex brief resulted from consultation with the abbots and monks as well as from discussion with the planning and conservation departments of Waterford county council and the heritage advisory service of the department of the environment, heritage and local government.

The principal space requirements were for 27 en-suite rooms of which seven are to be infirmary rooms and visiting nurse’s station; physiotherapy facilities; a private chapel, a community room and modern servicing. The new facilities function seamlessly within the existing monastery plan.

link to the Irish architectural foundation

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photography by philip lauterbach architectural photographer

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Architectural Photography of Collins Barracks National Museum Dublin, Ireland

Architectural Photography of Collins Barracks National Museum Dublin, Ireland

Here Architectural photographer shows images of the exteriors

link to the Museum

another link to the National Museum

Collin Construction

Gilroy McMahon architects

Building awards : Gulbenkian Award 1998 National Museum at Collins Barracks

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Architectural conservation photography of Farnham estate, Hotel, Conference Centre and Spa in Co. Cavan

Architectural conservation photography of Farnham estate, Hotel, Conference Centre and Spa in Co. Cavan

Images of the interiors and exteriors showing the existing architecture interplaying with the contemporary architecture

Images show how conservations marries the two new and old

The old Georgian house with the contemporary builds hidden behind the old standing house

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Architectural conservation photography of urban development Cork city, Ireland

Urban development cork city

Architectural conservation photography

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ABK Architects

Scott Tallon Walker Architects

urban lighting

Cork City Patrick Street Santa and Cole lights at dusk

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Architectural Photography of the Hugh Lane Gallery extension and restoration, Dublin Ireland

Gilroy Macmahon architects

Hugh Lane Gallery extension and restoration photography of the interiors and exteriors

One of Dublin’s popular cultural institutes, the Hugh Lane Gallery on Parnell Square has undergone a recent renaissance. Gilroy McMahon, together with Gallery Director Barbara Dawson, City Architect Jim Barrett and Exhibition Curator Christina Kennedy, commenced a process of think-tank in order to redefine what precisely makes a good gallery experience. There are obvious contradictions. To compete for public attention, a gallery visit has to be enjoyable and social; browsing in the bookshop, hanging out in the café. On the other hand, engaging with a painting is a profoundly spiritual experience. Someone said that a contemporary museum was part temple part supermarket.

The think-tank produced a couple of new ideas upon which the design was predicated. The first was a conclusion that the three most important elements in gallery design are circulation, circulation and yes circulation; not quite the normal suspects. It appeared as imperative to have a central and legible sequential circulation route off which there would be choices; i.e. an inner sequential route with outer selective ones. There would be a beginning, an outward journey and a return to the beginning in the form of a loop. Retracing ones steps along a single outward path does not work. It reduces the vividness of the experience to something desultory.

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winner of the Interior Design 2007  Public Space Award

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Collin construction

The Hugh Lane Gallery is one of Dublin’s major art galleries. Housed in a converted Georgian town house, the Client required a major extension to the side and rear to house its expanding collection of Modern Art. The existing building is a Protected Structure, as are the adjoining 4-storey Georgian terraces. Construction of the 3-storey over basement extension was in reinforced concrete with blockwork infill panels to the rear with a steel framed connection to the existing gallery

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LeeMcCullough

Project in brief
This mid-eighteenth century building, designed by Sir William Chambers for Lord Charlemont, occupies a prominent position on Parnell Square and houses the Municipal Gallery for Modern Art. This designated Protected Structure also includes two conjoined Georgian buildings at the end of an adjacent terrace, formerly the National Ballroom. The main building, Charlemont House, is a three storey structure over basement comprising external and internal loadbearing masonry walls with an ashlar façade, slated timber double-pitched roof, timber upper floors with ornate terrazzo on a vaulted brick ground floor, and both timber and stone staircases.

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architectural photography of Ballymahon Library Longford and interior photography

Ballymahon Library Longford refurbish with an extension images of the interior and the exterior

Architect’s Comments:

Dating from around 1819, the original Market House consisted of an open arcaded market at ground floor, above which was a courtroom, judge’s chamber and jury room, accessed by a small elegantly detailed stairwell at the rear of the building.
The ground floor of repaired historic structure of the former Market House houses the main library, with a local studies room to the first floor that is also used as a community meeting room.

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- RIAI Awards 2011, Commended,

Market House Building Background:

The original building, by the architect Samuel Mullen, was designed to fulfill two specific roles, that of court house and market house. The market house was situated on the ground floor and the court house, including solicitor’s and judge’s rooms and courtroom, was located on the first floor. The form and design reflects this double function with carriage arches to the ground floor essential for the market house, which are reflected above in the recessed panels forming a coherent and unified decorative scheme. The breakfront and classical features lend an air of authority to the structure befitting its original purposes. The sculpted limestone plaque to the pediment, bearing the coat of arms of the Shuldham family, local landowners who erected the building, and the carved voussoirs and keystones adds artistic interest to the façade and were clearly carved by skilled craftsmen. The market house reflects the growing economic prosperity of Ballymahon in the early nineteenth century.

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